Composers
Katy Abbott
Peter Allis
Lorenzo Alvaro
Martha Baartz
John Barrett
Damian Barbeler
Andrew Batterham
Katia Beaugeais
Michel Bert
Brenton Broadstock

Stuart Brownley

Brigid Burke
Taran Carter
Richard Charlton
Greg Clarkson
Barry Cockcroft
Brendan Collins
Lachlan Davidson
Tim Davies
Jonathon Dreyfus
Russell Gilmour
Perry Goldstein
Stuart Greenbaum
Maria Grenfell
Matthew Hindson
William Hughes
Martin Kay
Mikel Kuehn
Linda Kouvaras
James Ledger
Isaac Lo
Rae Marcellino
Paul Marshall
Susan May Camm
Peter Neville
Philip Norman
Matthew Orlovich
Tessie Palmyre
Andrian Pertout
John Peterson
Adam Pinto

Estelle Pizer
Sebastian Pottmeier
Daniel Rojas
Kent Ross
Sam Seabrook
Johanna Selleck
Matthew (Ben) Sibson
Margery Smith
Tomasz Spiewak
Paul Stanhope
Jane Stanley
Kenneth Tse
Demetrio Trombi
Dindy Vaughan
Gregory van der Struik
Dindy Vaughan
Graeme Vendy
Natalie Williams
Paul Witney
Toby Wren
Matthew Ben SibsonSince graduating with honours in composition from the Tasmanian Conservatorium of Music in 1997, Sibson has been working as a freelance composer and percussionist on a variety of projects in many genres. He has a keen interest in the integration of physical instruments with electronic sound creation and manipulation, especially within the recorded medium.

His original chamber music and electronic works have been both performed live within Tasmania and broadcast on national radio, and the CD recording of his small ensemble work The Watchmaker Suite is scheduled for release soon. Currently Sibson has been working a great deal with Tasmanian professional theatre companies including Terrapin Theatre and IS Theatre Ltd. To date he has produced music and sound for 'The Dark at the Top of the Stairs' (2000), 'Insatiable' (2001), 'Stormy Night' (2002), 'The Tactile Twins'(2002), 'InRestant Famous' (2003), 'Frankenstein' (2004-05), and 'The Storytellers Shadow' (2005).

Recent commissions also include the work Strange Views from Within Walls for the staff ensemble at the Tasmanian Conservatorium of Music, and Voices of History, a work for the Tasmania Chorale celebrating the bicentenary of the city of Hobart. Released recordings include works on the compilation CDs The Keating Tangos (for clarinet and piano), the Tasmanian Saxophone Quartet's Ride, and Temple Place Jazz Live.

When not composing, Sibson makes a living by performing as a kit drummer/percussionist with several ensembles, spanning genres from Salsa to Funk. He has also been the musical director and orchestra manger/conductor for several musical theatre productions. Other placements include lecturing in Composition, music technology, ethnic percussion and aural studies at the Tasmanian Conservatorium of Music and the position of Performing Arts Program officer with Arts Tasmania.