Exam: AMEB Flute Grade 6

Six Songs (6 pieces)

RM798e Six Songs (6 pieces) Norman FL/PNO
RM798e Six Songs (6 pieces) Norman FL/PNO
Digital Download eScore
Composer: Philip Norman
Composed: 2011 Duration: 15 mins.
Instrumentation: Flute & Piano Level B, Flute & Piano Level C
Exam Grade: AMEB Flute Grade 6
ISMN: 979-0-720109-68-8 Catalogue: RM798
Level: B, C Country: New Zealand

Contents: Evening Romance, Aerobics, The Flingamango Tango, Isla’s Blues, Jim’s Song, Lament

Zodiac (12 pieces)

RM793 Zodiac (12 pieces) Cockcroft FL
RM793 Zodiac (12 pieces) Cockcroft FL
Printed Book
RM793e Zodiac (12 pieces) Cockcroft FL
RM793e Zodiac (12 pieces) Cockcroft FL
Digital Download eScore
Composer: Barry Cockcroft
Composed: 2006 Duration: 20 mins.
Instrumentation: Flute Solo
Exam Grade: AMEB Flute Grade 1,
AMEB Flute Grade 2,
AMEB Flute Grade 3,
AMEB Flute Grade 4,
AMEB Flute Grade 5,
AMEB Flute Grade 6,
AMEB Flute Grade 7,
HSC Flute
ISMN: 979-0-720109-63-3 Catalogue: RM793
Level: A - Easy, C Country: Australia

Flight of Fancy

RM424 Flight of Fancy Orlovich FL/PNO
RM424 Flight of Fancy Orlovich FL/PNO
Printed Book
RM424e Flight of Fancy Orlovich FL/PNO
RM424e Flight of Fancy Orlovich FL/PNO
Digital Download eScore
Composer: Matthew Orlovich
Composed: 2006 Duration: 3:30 mins.
Instrumentation: Flute & Piano Level C
Exam Grade: AMEB Flute Grade 6,
HSC Flute
ISMN: 979-0-720083-02-5 Catalogue: RM424
Level: C Country: Australia

This piece, a flight of fancy for flute and piano, comprises three sections, each lasting about a minute or so.

The first section kicks off in an energetic and cheerful way with the bright, upper registers of both instruments at play. Also evident in the opening section are ideas such as angular melodic lines played in unison, a little harp-like piano accompaniment texture and a contrasting theme fashioned atop a jazzy, dance-inspired bassline.

The middle section of the work is perhaps the more unearthly music of the work. Little updrafts and whirlwinds of tinkling, glockenspiel-like piano figurations add a haunting quality to a chromatically inflected flute melody, evoking, for me, images of night and a kind of magic.

The final section of the piece – which brings us back to earth with its recapitulation of earlier material – is characterised by the soun