Crazy Logic

RM224 Crazy Logic Orlovich ALTO SAX/PNO
RM224 Crazy Logic Orlovich ALTO SAX/PNO
Printed Book
RM224e Crazy Logic Orlovich ALTO SAX/PNO
RM224e Crazy Logic Orlovich ALTO SAX/PNO
Digital Download eScore
Composer: Matthew Orlovich
Composed: 2006 Duration: 13 mins.
Instrumentation: Featured, Sax Alto & Piano Level E
Exam Grade: AMEB Saxophone Alto Grade LMusA
ISMN: M-720067-31-5 Catalogue: RM224
Level: E Country: Australia

Performed by Rompduo

Crazy Logic (for alto saxophone and piano, 2006) was composed at the invitation of saxophonist Barry Cockcroft and pianist Adam Pinto (RompDuo) for premiere performance at the 2006 Port Fairy Spring Music Festival, VIC, Australia.

Subsequent performances of the work include:
• Gerard McChrystal (saxophone) & Mary Dullea (pianist) @ Wigmore Hall, London, UK;
• Barry Cockcroft (saxophone) & Darrell Partin (piano) @ the 34th International Saxophone Symposium, Fairfax, VA, USA;
• Anhinga PianoSAX Duo @ 2011 North American Saxophone Alliance Region 4 Conference, Huntsville, Texas, USA;
• Jabra Latham (saxophone) & Karen Smithies (pianist) at The Ballroom, Epsom House, Pontville, Tasmania, Australia;
• RompDuo @ 2011 Australian Clarinet and Saxophone Symposium, Melbourne, Australia;
• Tim Roberts (sax) & Renate Rohlfing (piano) @ Selmer Paris Dragon Bird Event, Steinway Hall, NYC, NY, USA.

In composing the work, I have chosen to use musical ideas of a mostly intense and driving nature. My melodic lines comprise semiquavers which twist, scurry, and traverse up, down and around the musical staves at a great pace.

Furthermore, the two instrumentalists often play in unison or at the octave, lending added urgency and directness to the music.

While a softer, more reflective mood is revealed at the heart of the work, it is the energetic music with its chromatic kinks, jagged contours and wide leaps that elicits, for me, the ‘crazy’ mood alluded to in the work’s title.

In stitching my ‘crazy’ music together, I have aimed to afford the work a certain logic by virtue of balanced phrasing and fluent transitions between sections of the work.

I thank Barry and Adam for inviting me to compose this work and for giving the work its premiere performance. M.O.

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