Composed: 2008 Duration: 4 mins.
Instrumentation: Sax Alto & Piano Level B
ISMN: 979-0-720114-56-9 Catalogue: RM859
Level: B Country: Australia
Solo part available separately.
Contents: The Great Gate of Kiev, All Beautiful the March of Days, Adagio in G Minor, Theme from Pathétique, Pomp and Circumstance, The Swan, Traumerai, Golliwog’s Cake Walk, Air on the G String, Chanson de Matin, The Liberty Bell, Farandole, Gavotte, Habañera, Minuet, In the Hall of the Mountain King, Minuet in G, Overture to Carmen, Clair de lune, Concerto, Pavane, Meditation
Piano part available separately.
Contents: The Great Gate of Kiev, All Beautiful the March of Days, Adagio in G Minor, Theme from Pathétique, Pomp and Circumstance, The Swan, Traumerai, Golliwog's Cake Walk, Air on the G String, Chanson de Matin, The Liberty Bell, Farandole, Gavotte, Habañera, Minuet, In the Hall of the Mountain King, Minuet in G, Overture to Carmen, Clair de lune, Concerto, Pavane, Meditation
Contents: Jukebox, Chasin' Charlie, Chopping Block, Jamboree, Bee Sting, Berry Jam, Robot Rumba, Bad Guy Boogie, Iceberg, Maggie's Waltz, Ratty Rag, Rustin Dustin, Monkey's Raincoat, Wobbly Waltz, Simon Says
Contents: Piper's Lullaby, Miles of Water Colour, Up The Ladder, Mosquito, Smock 2, The Wail
Contents: Holiday in Morocco, Sophie's Strut, Hill-Billy Blues, Bad Attitude, Rock Salt, Ga Ga Rag, Hi-Five, Cement Mixer, Hairy Habanera, Tango Magnifico, A Little Blues Bird, Chasin' the Bass
Contents: Rain In Spain , Coal Train, Mostly Mist , Papapap, Blues for Ma
Performed by Rompduo
Contents: I. In Orbit, II. Departure Lounge, III. In Traffic
I. In Orbit
This was written wondering what it would be like to see the Earth from space. It also serves as a hymn to the technology of satellites that increasingly connect our humble human communications.
II. Departure Lounge
Most commonly, this is at an airport. When travelling alone, this can be a place to contemplate the state of one’s existence while trying to find the right angle to perch one’s hand luggage as a foot stool. But this can also be at a train station – and Sydney Central boasts a (very) modest lounge for travellers waiting for the night train to Melbourne.
III. In Traffic
Statistics bear out that lane swapping in heavy traffic to maximise time and position is mostly a waste of time and dangerous into the bargain. What’s worse is nipping into the fast lane on a slight opening, only for it to become the slow lane. My advice? Take the bike or public transport.
These pieces have been published with key signatures for ease of reading, though were not conceived as conventionally ‘tonal’ pieces.
Contents: Penguins' Meeting, An Olde Serenade, By the Shores of Lake Cadibarrawirracanna, Emus on Parade, Promenade of the Wombats, Capriccio, Folk Dance
Contents: Swing Thing, Jewell in a Stone, Cathy's Dream, A Lane in Wales, One Step at a Time, A Good Time Was Had By All, Duddles Chuckles, Heritage
Swing Thing: This piece began life as an easy saxophone quartet but translates well to sax and piano. Be sure to play the longs and shorts accurately as it really helps it swing. Accent beat 2 and 4 for the same reason. When there is a quaver on the second half of a beat followed by a rest, it should always be short (staccato as marked) it is good to imagine that there is a note on the following beat to help place the last quaver.
Jewel in a Stone: Written for Julia, this is the most recently written of the tunes in Lokked in. Julia decided that she didn't feel like playing the C naturals that I had written so she played C sharps instead. I liked them so much that I changed the tune. There is much potential for some rubato and a very emotional performance of this piece. Some music turns out that way. Don't play it too slowly but don't hurry from one phrase to the next.
Cathy's Dream: Cathy had Chronic Fatigue syndrome at school and bravely fought through it. Her dream was to be healthy. I played this at her wedding recently where she seemed extremely well. The feel is Latin American influenced and the syncopations can be tricky. Very slow practice with the metronome, thinking in quavers and leaving the ties out can help gain an understanding of the rhythms. This is a good one to practise with the piano part slowly from the early stages of its preparation.
A Lane in Wales: In 1993, on a “round the world walkabout,” I visited my relatives in Wales and went on some long, solitary walks. This tune seems to capture the spirit of some of the lanes I walked along. I enjoy playing this tune and love the more classical feel of it. It suits a more classical sound and a softer dynamic. I love the sound of this piece at a slower tempo too. Be gentle but firm with it. Be aware of when the phrases are one, two or four bars long and be careful not to break it up too much.
One Step at a Time: Named for Steph, to motivate her to practise. Well it didn't work for her but it is a really fun piece to play with elements of rock in the eighties and a touch of David Sanborn. Thanks Dave.
Dig hard into the groove, the accents and the staccatos to really make it rock. A brighter sound and a generally stronger dynamic will suit this piece. The metronome is your best friend on this one.
A Good Time was Had by All: After a tour to Queensland with the school Stage Band, Yuki, a trombonist, asked me to write a piece for her VCE. I was honoured to do so and this was named as a celebration of the good time everyone had on the trip. It suits the saxophone just as well as the trombone and should be approached with a simple, not over-jazzy (or too cool) swing feel, emphasising the off-beat quavers and enjoying the fun in the music. The piano part really adds to the party so check it out as soon as you can.
Duddles Chuckles: I conceived this tune on the way home from a gig, named it after the unique laugh of one of my students, “Duddles” and arranged it for sax quartet before converting it to sax and piano. Play it with a bouncy swing feel in two, but emphasise (accent) the off-beats where quavers are slurred across the beat. There are some unusual staccatos which add to the character of the tune and make it less groovy or jazzy but more fun.
Heritage: I first took this tune (then un-named) to a gig at Bennetts Lane with unLokked (my jazz quartet) and subsequently recorded it on “A hot night in Burwood” released through Newmarket music. I consider it one of my best tunes. It has an obvious celtic influence but I know that Jan Garbarek and the Disney song, “Colours of the wind” were in the mix here too. This version is a simplified version of the original with far fewer ornaments than I would normally play but it still maintains its integrity and emotion. Play it with strength, commitment and honesty.