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Tessie Palmyre

Born in the Seychelles (1979), Tessie moved to Perth, Australia in 1988 and began her musical studies on flute two years later. In 1997 she was accepted into WAAPA (WA Academy of Performing Arts) to study jazz flute. In the following years she completed her Associate Diploma in Performing Arts and a Bachelor of Education (Music). She is currently teaching music at St Leonard’s College, Melbourne where she directs the stage band, latin ensemble and saxophone ensembles, and is an accomplished performer on all saxophones and flute.

Having studied Latin American music at WAAPA, Tessie travelled to Cuba in 2006 to hear the music firsthand and learn from the locals. Tessie’s compositions are heavily influenced by her love of Cuban music and her jazz background. She has written and/or arranged all of the music performed by the St Leonard’s College Latin Ensemble to date and has sold many of her compositions to schools around Australia.

Tessie has performed around Victoria at various venues and events including Bennett’s Lane Jazz Club, Hamer Hall and the Wangaratta Jazz Festival. Her secret ambition is to be a member of the Star Wars Cantina Band.

Gerard McChrystal

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Gerard McChrystal comes from Derry, N.Ireland. He took up the saxophone in 1982 and by 1989 had already performed concertos with The Philharmonia, London, RTE Concert Orchestra, Dublin and the RNCM Wind Orchestra, Manchester. Gerard studied at the RNCM, Manchester, Guildhall School of Music & Drama, London and Northwestern University, Chicago.

In 1987 he became the first person ever to graduate from the RNCM with three awards and followed this with a diploma from the GSMD, London and an MA from Northwestern University, Chicago. Competition successes followed in The Royal Overseas League (Wind Prize), Lombard and Ulster Music Foundation (winner), RTE Musician of the Future(finalist in 1985 & 1987), Countess of MunsterNFMS AwardPark Lane GroupIvan Sutton AwardSir James Caird Travelling FundMartin Music Trust and he even won on the clappometer on Opportunity Knocks! in 1987.

Gerard has performed in over twenty countries including South Africa, USA, Korea, New Zealand, India, Azerbaijan, Indonesia, Caribbean, Germany, Sweden as well as throughout the UK and Ireland. Venues have included San Francisco Opera House, USA, Victoria Concert Hall, Singapore, Jakarta Opera House, Indonesia, Baku Opera House, Azerbaijan, The Stattshalle, Stuttgart, The Rossini Theatre, Italy, The Royal Albert Hall, London, Wigmore Hall, London, St. David’s Hall, Cardiff, The Queen’s Hall, Edinburgh, The National Concert Hall, Dublin and The Ulster Hall, Belfast. In 1992 Gerard completed a world tour with the quartet, Saxtet, starting in Bombay and ending in Hawaii.

Gerard has premiered pieces by or worked with, Sir Harrison Birtwhistle, Sir Malcolm Arnold, John Taverner, James MacMillan, Dave Heath, Michael Kamen, David Bedford, John Metcalf, Gary Carpenter, Michael McGlynn and Tommy Smith. In 1999 Gerard premiered and broadcast a BBC commissioned concerto by Belfast born composer, Ian Wilson called Who's Afraid of Red, Yellow and Blue.

Gerard has recorded the Debussy Rhapsody for Chandos Records conducted by Yan Pascal Tortelier, a concerto album with London Musici called Meeting Point, Shaun Davey's A Relief of Derry Symphony with the Ulster Orchestra and in 2000 released an album of specially written Romances and Toccatas by Billy Cowie. His recording of Eric Sweeney'sDuo featured on an album called Imagine Another Ireland with Sinead O'Connor, Brian Kennedy and Anuna.

Orchestras and artists Gerard has worked with include, The Orchestra of San Francisco Ballet, The Stattsorchestra, Stuttgart, BBC Scottish Symphony Orchestra, BBC Concert Orchestra, City of London Sinfonia, National Symphony Orchestra of Ireland, Seoul Wind Orchestra, Korea, The Soweto String Quartet, Johannesburg, tenorist Tommy Smith, vocal group Anuna, percussion group Ensemble Bash and pianist Joanna McGregor.

Gerard has written and presented for RTE's Lyric FM and reviews saxophone music for Music Teacher magazine. He runs annual courses for Dartington International Summer School, Aberystwyth Musicfest, The National Youth Wind Orchestra and Music at Little Benslow. In 1998 Gerard was appointed Professor of Saxophone at Trinity College of Music, London and tutor at The Royal Welsh College of Music & Drama, Cardiff.

Gerard became the first person from UK/Ireland to be invited to give a concerto performance with orchestra at the World Saxophone Congress in Minneapolis, USA in July 2003. Later that month he premiered a new work by Edward Watson with the Karol Syzmanowski String Quartet. In August he toured Ireland as soloist with The National Youth Wind Orchestra of GB. In Sep. 2003 he broadcast Mobiles, a new concerto by John Metcalf with the BBC National Orchestra of Wales. Gerard concluded a hectic summer with an appearance at the BBC Proms in The Park with the Ulster Orchestra performing to an audience of over 7000 people.

In 2006 Gerard was a concerto soloist at the World Saxophone Congress held in Ljubljana,Slovenia. His latest recording pluckblow with Australian guitarist, Craig Ogden was released by Meridian Records, London in September 2006. 2007 sees the release of an album with The Smith Quartet on RTE Lyricfm Records and a concerto CD with The BBC National Orchestra of Wales on Signum Records. He will be appearing on Songs of Praise on BBC1 with Irish Choir Codetta in June 2007.

http://www.saxsaxsax.com/

David Horowicz

 

David HorowiczBorn in Melbourne on the 6th January, 1960, David Horowicz began studying the piano and composing at the age of eleven. He enrolled at the University of Melbourne in 1978, where he studied composition with Barry Conyngham, Brian Howard, Peter Tahourdin and David Worrall, and piano with Ronald Farren-Price and Alexander Semetsky. He graduated with his Bachelor of Music degree in 1981.

Horowicz received a Commonwealth Postgraduate Research Award in 1983, and embarked upon an M.Mus. in composition, also from the University of Melbourne, graduating in 1993. During his years of study Horowicz was a frequent performer, not only for the performance component of his undergraduate degree, but also several times as a pianist in his own compositions (such as hisConcerto for piano and orchestra, which he performed with the faculty orchestra in 1981), and as a bassoonist (1978) and violinist (1979-81) in the faculty orchestra, which included tours with the Victoria State Opera as well as concerts at the University.

He received his Graduate Diploma in Education from the University of Melbourne in 1995.

Horowicz has received numerous commissions from such performers, ensembles and organisations as Daryl Buckley, Merlyn Quaife, Elision Ensemble, the Australian Musicians Guild, and the Dorian Le Gallienne Society. He attended the National Young Composers School in Hobart in 1986 as a participant, and was selected to be an invited observer at the 1994 National Orchestral Composers' School, also held in Hobart.

Horowicz taught at the University of Melbourne between 1987 and 1989, at La Trobe University between 1990 and 1994, and at MLC Melbourne in 1995. He has been a member of the Ariel and New Audience Ensembles.

Charlotte Harding

 

Charlotte-Harding

Charlotte harding is an award-winning composer, orchestrator and saxophonist. Her works include the ivors composer award-winning ‘convo’ for massed ensemble (royal albert hall) and the ivors composer award-nominated ‘them’ for contemporary dance company balletboyz (sadler’s wells/edinburgh festival/vaudeville theatre, west end).

Drawing on an eclectic mix of classical and cross-genre influences, her diverse career has seen her work performed in concert halls (queen elizabeth hall, kings place, cadogan hall, st john’s smith square, st martin-in-the-fields), at music festivals (womad, simple things, three choirs) and new music nights (nonclassical) alongside plays on bbc radio 3, bbc radio 6 and soho radio.

Recent works include ‘iorsa’, commissioned by the piatti string quartet & three choirs festival,‘dance in perpetuity’, a collaboration with choreogpraher ruth brill, english national ballet & portugal-uk 650, and the release of ‘iii’ & "‘palomino’, her debut ‘clectro’ tracks, described by tom robinson (bbc radio 6) as “extraordinary”. Earlier this year, charlotte was featured on the television series ‘reinventing the orchestra with charles hazelwood’(sky arts/now tv).

As an orchestrator and arranger, projects with paraorchestra have included collaborating with suede’s brett anderson for ‘death songbook’ (gŵyl 2021/bbc), reimagining the songs of barry white (park stage, glastonbury festival 2019), and creating realisations of works by electronic pioneer pauline oliveros for the concert ‘minimalism changed my life’ (queen elizabeth hall, london/bridgewater hall, manchester). Charlotte also orchestrated mercury prize -nominated hannah peel’s no.1 classical album ‘the unfolding’ released on real world records.

As a saxophonist, charlotte co-founded ‘over 100 years of women and the saxophone’ with acclaimed saxophonist amy green which launched at the world saxophone congress, saxopen, in strasbourg and made its debut in the usa in collaboration with pennsylvania state university in early 2020. She also featured on keaton henson’s latest album ‘monument’ (pias).

Charlotte is passionate about the role of music in health, education and wellbeing and has collaborated with leading arts organisations including royal philharmonic orchestra, streetwise opera, rcm sparks, youth music theatre uk and english national ballet. She is a trustee of the pete handley percussion award and has been an associate lecturer at goldsmiths university, london.

Charlotte studied at the royal college of music, london with mark-anthony turnage (composition) and martin robertson (saxophone) and on graduating was awarded the prestigious queen elizabeth the queen mother rosebowl.

https://www.charlottehardingmusic.com

Stuart Greenbaum

The Stuart Greenbaum sound has overt connections to jazz, pop and minimalism but goes beyond these important influences.

Greenbaum (Melb. 1966–) studied composition with Brenton Broadstock and Barry Conyngham at the University of Melbourne, where he now holds a position in the School of Music as Senior Lecturer and Convenor of Composition.

Nelson, a 3–act opera written with long–time collaborator, poet Ross Baglin, was premiered at the 2007 Castlemaine State Festival. Their second opera, The Parrot Factory, will premiere in October 2010 with Richard Gill and the Victorian Opera at the Meryln Theatre, The Malthouse.

Greenbaum was a Featured Composer at the 2006 Aurora Festival (Western Sydney), resident composer at the 2009 Port Fairy Spring Music Festival and Composer in Focus at the 2009 Bangalow Music Festival. He has won a number of awards, including the Dorian Le Galliene Composition Award, the Heinz Harant Prize, and the Albert H. Maggs Composition Award. 90 Minutes Circling the Earth won 'Orchestral Work of the Year' at the 2008 Classical Music Awards. His most recent individual CD, Mercurial, was released in 2005.

http://www.stuartgreenbaum.com

Perry Goldstein

Perry Goldstein (born 1952 in New York City, New York) studied at the University of Illinois, UCLA, and Columbia University, from which he received a doctorate in music composition in 1986. His principal teachers were Herbert Brün, Mario Davidovsky, Ben Johnston, Chou Wen-Chung, and Paul Zonn. Specializing in chamber music, he has written several works for saxophone under the auspices of the Aurelia Saxophone Quartet and their students. These include the saxophone quartets Blow! (1993) (declared “a raw-boned tour-de-force” by the Buffalo News, available on Challenge Records), Fault Lines (1998) (United States Military Academy Recordings), and Motherless Child Variations (2002) (New Dynamic Records). Other works for saxophone include Fault Lines (1998) for saxophone and piano written for Arno Bornkamp and Ivo Janssen, Against the Grain (1999) for the Aurelia Saxophone Quartet and Slagwerkgroep den Haag, Noir (1999) for alto saxophone, viola (or bassoon), and piano for Trio Chiaroscuro (Crystal Records). More recent works include two saxophone quartets, Pieces of Elsewhere (2005) for the Aurelia, West Point, and Prism Saxophone Quartets, Filaments of Yesterday (2005) for the Capitol Saxophone Quartet, Heaven (2005) for Arno Bornkamp and Ivo Janssen, and Sonata for Soprano Saxophone and Piano (2006) for Joseph Lulloff and Jun Okada. Goldstein has been a member of the music faculty of Stony Brook University since 1992, and currently serves as the Director of the College of Arts, Culture, and Humanities.

Russell Gilmour

Russell Gilmour was born 1956 and received his early musical training at Guilford Grammar School W.A. Since graduating from the University of New England, he has worked as a teacher, lecturer and arts administrator.

Gilmour is best known for his short, quirky, humorous compositions (Dark on Bach, 2003) and sometimes melancholic, brooding work (Seven Things I'll Do Tomorrow, 2005). His musical style developed intuitively following a brief flirtation with neo-Romanticism in the 1980s (A Peaceable Kingdom, 1985; Host Of The Air, 1984).

He established the music publishing imprint Opus House Press in the mid 1990s, initiating projects involving contributions from a number of composers. The first of these 'musical portraits' The Keating Tangos was launched in1999, followed by The Whitlam Rags in 2002.

The Gilmour Ensemble formed in 2003 with saxophonist Jabra Latham, violinist Zac Johnson, cellist Greg Woodwood and percussionist Ben Smart. Their first CD, Seven Things I'll Do Tomorrow was released in 2006.

Notwithstanding his formal musical education, Gilmour regards his compositional approach as largely intuitive.

He currently teaches - on a casual basis - at the Tasmanian Conservatorium of Music, accepts the occasional commission, plans Gilmour Ensemble projects and maintains his farm.

Tim Davies

Ever since he was given a cassette of Australia’s Daly-Wilson Big Band at age 12, Tim Davies had the dream to write for and play drums in his own big band.  That goal was realized in 1998 when he formed his first big band in Melbourne, Australia.  Although it only had a short run before Davies moved to the States the band made quite an impact.  Since 2000 Davies has led a big band in Los Angeles featuring top session and touring players.  The band's first record, Epic, was released in 2003 and a new album, Dialmentia, came out in May 2009.   Grounded in the traditional, his music adds elements of rock, metal and hip hop, creating a blend that is truly unique.  Davies' big band music is now played all over the world.

When not writing for or leading the band, Davies has found his niche working as an arranger, orchestrater and conductor in Hollywood.  His first break came after a lesson with band leader and arranger John Clayton.  Clayton invited Davies to assist him for his 3 years as the Director of Jazz at the Hollywood Bowl.  In his time with Clayton Davies did orchestrations and transcriptions for the who's who of the jazz world.   Artists included Jimmy Smith, Dave Brubeck, Nancy Wilson, Ray Brown, Oscar Peterson and Take 6.  He also did transcriptions and arrangements for tributes to Johnny Mandel, Neal Hefti and Quincy Jones and worked on albums for Natalie Cole, Diana Krall and Michael Buble.  In the years since, Davies has gone on to arrange and orchestrate for many albums and live concerts featuring  Joan Osborn, Rachel York, Jim Bianco, Colin Hay, Tunde Baiyewu (Lighthouse Family), Jamie Cullum, Queen Latifah, Sarah Bareilles, Salaam Remi and Cee-lo Green (Gnarls Barkley).

In addition to his jazz work, a large part of his time is spent orchestrating music for Film and Television.  Known for his string writing, he is often commissioned to write textural/ambient music for which he has coined the term Symphonic Sound Design.  Examples of this can be heard in the scores to Resistance 2 (VG), InFamous (VG), When a Stranger Calls (film) and Prototype (VG).  Recent orchestration highlights include the TV shows Invasion, Pushing Daisies and Glee,  The Simpson's Movie and Game, The films The Pathfinder, Death Race, Australia and Repo Mambo.  Davies skills are also in demand in the relatively new world of orchestral scores for video games. Credits include SOCOM 3, SOCOM CA, Monsters Vs Aliens, God of War 2, Haze, Beowulf, Prototype, Dark Void, GI Joe and Lost Planet 2.  Davies has also contributed arrangements for the touring productions Video Games Live and Play!.

Recently Davies has become in demand as a conductor. He has conducted most of the above mentioned film, TV and game projects along with many other sessions including projects for Steve Jablonsky (The Sims 3 and Gears of War 2), Tim Wynn (Red Alert 3), Stephen Trask (Cirque du Freak) and albums for  Latin superstar Luis Miguel, Sara Bareilles, David Archuleta and Emmy Rossum.

Davies has also written much concert music and is a represented composer of the Australian Music Centre.  His most performed works are for percussion, notably This is Not a Sonata and The Art of Turning Ice to Water (it is about trying too hard when you make margaritas.)

http://www.timusic.net